Taking photographs in the mountains is an exciting activity. With every step you take in these great spaces, the surrounding transforms itself. The angles, the lights, the shadows, the depth, the action are in constant evolution and the work of the photographer is to put them into a relation that reflects his experience.
The effects one wants to create depend very much on the terrain. In mountaineering, where the slopes are generally lower angled, the photographer wants to capture the scenic ambiance in which the subject is moving.
In contrast in rock climbing, where the walls are vertical or overhanging, the photographer wants to emphasize the climber, the adrenaline, the void.
After all, these two categories often merge, opening up the way for the photographer to bring in his own creativity.
However in most of the professional pictures of rock climbing, the photographer is not part of the team, i.e. he takes the role of an outside narrator.
In our case this is hardly possible, since we’re only two to climb (and not soloing our routes). Therefore the two possible views are either from the bottom or the top belay, showing either the climber’s feet or head, which is very limiting.
In our latest video we tried to overcome the constricting composition of our photographs by using a technology called timelapse, a programmable trigger. Enjoy the result!